It was a very strange and brilliant light indeed; and yet, what is
perhaps still stranger, it did not frighten or amaze him, nor did
what he saw alarm him either, and yet I think it would have done
you or me. For what he saw was nothing less than all the bric-a-
brac in motion.
A big jug, an Apostel-Krug, of Kruessen, was solemnly dancing a
minuet with a plump Faenza jar; a tall Dutch clock was going
through a gavotte with a spindle-legged ancient chair; a very
droll porcelain figure of Littenhausen was bowing to a very stiff
soldier in terre cuite of Ulm; an old violin of Cremona was
playing itself, and a queer little shrill plaintive music that
thought itself merry came from a painted spinnet covered with
faded roses; some gilt Spanish leather had got up on the wall and
laughed; a Dresden mirror was tripping about, crowned with
flowers, and a Japanese bonze was riding along on a griffin; a
slim Venetian rapier had come to blows with a stout Ferrara sabre,
all about a little pale-faced chit of a damsel in white
Nymphenburg china; and a portly Franconian pitcher in gres gris
was calling aloud, "Oh, these Italians! always at feud!" But
nobody listened to him at all. A great number of little Dresden
cups and saucers were all skipping and waltzing; the teapots, with
their broad round faces, were spinning their own lids like
teetotums; the high-backed gilded chairs were having a game of
cards together; and a little Saxe poodle, with a blue ribbon at
its throat, was running from one to another, whilst a yellow cat
of Cornelis Lachtleven's rode about on a Delft horse in blue
pottery of 1489.
Pages:
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59