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Oppenheim, E. Phillips (Edward Phillips), 1866-1946

"Nobody's Man"


He found himself thinking almost enviously of the men with whom he had
associated,--Philipson, with whom he had been at college, with three
plays running at different theatres, interested, even fascinated by his
work, chaffing gaily with his principal actor as to the rendering of
some of his lines. Then there was Fardell, also a schoolfellow, now a
police magistrate, full of dry and pleasant humour, called by his
intimates "The Beak "; Amberson, poseur and dilettante thirty years ago,
but always a good fellow, now an acknowledged master of English prose
and a critic whose word was unquestioned. These men, one and all,
seemed to be up to the neck in life, kept young and human by the taste
of it upon their palate. The contemplation of their whole-sided
existence, their sound combination of work and play, produced in him a
sort of jealousy, for he knew that there was something behind it, which
he lacked.
The night was bright and dry and there were still crowds about Leicester
Square, Piccadilly Circle and Piccadilly itself. As he walked, he
looked into the faces of the women who passed him by, struggling against
his old abhorrence as against one of the sickly offshoots of an
over-eclectic epicureanism.


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