He said
gently:
"Don't let them think you're down;" and, squeezing her hand hard: "Why
should you be wasted like this? It's a sin and shame!"
But he stopped in what he felt to be an unlucky speech at sight of her
face, which without movement expressed so much more than his words. He
was protesting as a civilized man; her face was the protest of Nature,
the soundless declaration of beauty wasted against its will, beauty that
was life's invitation to the embrace which gave life birth.
"I'm clearing out, myself," he said: "You and I, you know, are not good
for these people. No birds of freedom allowed!"
Pressing his hand, she turned away into the house, leaving Courtier
gazing at the patch of air where her white figure had stood. He had
always had a special protective feeling for Audrey Noel, a feeling which
with but little encouragement might have become something warmer. But
since she had been placed in her anomalous position, he would not for
the world have brushed the dew off her belief that she could trust him.
And, now that he had fixed his own gaze elsewhere, and she was in this
bitter trouble, he felt on her account the rancour that a brother feels
when Justice and Pity have conspired to flout his sister. The voice of
Frith the chauffeur roused him from gloomy reverie.
"Lady Barbara, sir!"
Following the man's eyes, Courtier saw against the sky-line on the for
above Ashman's Folly, an equestrian statue.
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