xviii-xx. For other examples, see God's Acre,
by Mrs. Stone, 1858, chapter xiv, and Notes and Queries, 6th S.,
vii, 161.
{27a} 2nd S., viii, 354.
{27b} Ibid, ix, 132.
{29} The case of Dante has been recently alluded to, as if it were
one of exhumation. But despite the efforts of the Florentines to
recover the remains of their great poet, they still rest at Ravenna,
in the grave in which they were deposited immediately after his
death.
{31} Traditionary Anecdotes of Shakespeare., 1883, p. 11.
{32} Outlines of the Life of Shakespeare. 3rd edition, 1883, p.
223.
{33} Life Portraits of Shakespeare. 1864, p. 10.
{34} Shakespeare: The Man and The Book. Part I, p. 79.
{35} As to this, see an article contributed by me to The Antiquary
for September, 1880: also the Shakespeare Jahrbuch, vol. x, 1875,
for Dr. Schaafhausen's views.
{37} There is no engraving by "Dunbar": that name was Friswell's
mistake for Dunkarton. Boaden's "absolute fac-simile" and "no
difference whatever," (Inquiry, 1. p., page 137) are expressions not
borne out by the engravings. My old friend, the Rev. Charles Evans,
Rector of Solihull, who possesses the almost unrivalled Marsh
Collection of Engraved Portraits of Shakespeare, at my request
compared Cooper's engraving of the Croker portrait with those by
Dunkarton, Earlom, and Turner, of the Janssen: and he writes: "In
the Cooper the face is peaked, the beard more pointed, and the ruff
different in the points.
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