_Mr. Tack_ is the next
appearance: being an upholsterer, of course he has the run of the house,
so it is not at all odd to find him in a maiden lady's boudoir; the more
especially as he enters from behind his natural element--the window
curtains.
It is astonishing with what pertinacity the characters in most farces will
bore one with their private affairs when they first appear! In this
respect _Sir Bryan Beausex_, in the next scene, is quite as bad as _Patty_
was in the former one. He seems to have invited four unoffending victims
to dine at his chambers in the Albany, on purpose to inform them that in
his youth he was betrothed to a girl whom he has never since seen; but
what that has to do with telling his guests to be off, because he expects
a charming little lady's-maid at six, his companions are doubtless puzzled
to understand. One of them, however, is _Beechwood_--a very considerably
diluted edition of _Jerry Bumps_ in "Turning the Tables"--who determines
to revenge this early turn-out by a trick upon the inhospitable host, and
goes off to develop it--to commence, in fact, the farce.
_Sir Bryan Beausex_ is waiting with impatience the arrival of _Patty_,
when his servant enters with a letter, which he says has been just
delivered by a servant, who galloped up to the door on a horse--an
extraordinary clever hack, we should say; for, to perform this feat, he
must have broken through a porter's lodge, galloped over a smooth
pavement, and under a roof so low, that Lord Burghersh can only traverse
it with his hat off.
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