Curtis proceeded to Egypt, where he wrote his
well known book of Nile travels, while Cranch set out for Rome to perfect
his art.
He studied there at a night-school, painting in water colors from nude
models and arrangements of drapery, but not taking lessons from any
regular instructor. He never applied himself much to figure-painting,
however. He sold his paintings chiefly to American travellers, and when
the Revolution broke out in 1848, he returned to Sorrento, where his
second child, Mrs. Leonora Scott, was born. His first child was born the
year previous, in Rome, but afterwards died. In 1851, he returned to New
York and Fishkill, but not meeting with such good appreciation there as
he had in Italy, he went to Europe again in the autumn of 1853, and
resided in Paris. One cause of this may have been the unfriendliness of
his brother-in-law, who was a leading art critic in New York City, and
who disliked Cranch on account of his wife, and never neglected an
opportunity of disparaging his work.
One of his early landscapes is now before me. I think it must have been
painted anterior to his sojourn in Rome, owing to the coldness of the
coloring. It represents a scene on the Hudson near Fishkill, with some
cattle in the foreground, and a rather bold-looking mountain on the
opposite side of the river.
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