Another unwelcome note is struck by the needlessly aggressive
board on the museum which has already been mentioned. However, when a
sunset is glowing behind the mount, these modern intrusions are subdued
into insignificance, and there is nothing left to disturb the harmony of
the scene.
A walk round the ramparts reveals an endless series of picturesque
groupings of the old houses with their time-worn stone walls, over which
tower the chatelet and La Merveille. Long flights of stone steps from the
highest part of the narrow street lead up to the main entrance of the abbey
buildings. Here, beneath the great archway of the chatelet, sits an old
blind woman who is almost as permanent a feature as the masonry on which
she sits. Ascending the wide flight of steps, the Salle des Gardes is
reached. It is in the lower portion of the building known as Belle-Chaise,
mentioned earlier in this chapter. From this point a large portion of the
seemingly endless series of buildings are traversed by the visitor, who is
conducted by a regular guide. You ascend a great staircase, between massive
stone walls spanned by two bridges, the first a strongly built structure of
stone, the next a slighter one of wood, and then reach a breezy rampart
where great views over the distant coasts spread themselves out.
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