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Various

"The Atlantic Monthly, Volume 01, No. 4, February, 1858"

He made a study of this trophy; it
inspired his pencil; from its contemplation he caught the secret of
color, the breadth and strength of execution, which have since placed
him among the first of American portrait-painters, especially for old
and characteristic heads. Thus, in the centre of Western New York, he
found his Academy, his Royal College, his Gallery and life-school, in
one adequate effort of Stuart's masterly hand; the offering of gratitude
became the model and the impulse whereby a farmer's son on the banks
of the Mohawk rose to the highest skill and eminence. But this was a
gradual process; and meantime it is easy to imagine what a treasure the
picture became in his estimation. It was only by degrees that his merit
gained upon public regard. His first visit to New York was a failure;
and after waiting many weeks in vain for a sitter, he was obliged to
pay his indulgent landlord with a note of hand, and return to the more
economical latitude of Syracuse. There he learned that a wealthy trader,
desirous of the _eclat_ of a connoisseur, was resolved to possess the
cherished portrait. Although poor, he was resolved never to part with
it; but the sagacious son of Mammon was too keen for him; discovering
his indebtedness, he bought the artist's note of the inn-keeper, and
levied an execution upon his effects.


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