Garrick, puffed up by his dramatic renown and his
intimacy with the great, and knowing Goldsmith only by his budding
reputation, may not have considered him of sufficient importance to be
conciliated. In reply to his solicitations, he observed that he could
hardly expect his friendly exertions after the unprovoked attack he had
made upon his management. Goldsmith replied that he had indulged in no
personalities, and had only spoken what he believed to be the truth. He
made no further apology nor application; failed to get the appointment, and
considered Garrick his enemy. In the second edition of his treatise he
expunged or modified the passages which had given the manager offense; but
though the author and actor became intimate in after years, this false step
at the outset of their intercourse was never forgotten.
About this time Goldsmith engaged with Dr. Smollett, who was about to
launch the "British Magazine." Smollett was a complete schemer and
speculator in literature, and intent upon enterprises that had money rather
than reputation in view. Goldsmith has a good-humored hit at this
propensity in one of his papers in the "Bee," in which he represents
Johnson, Hume, and others taking seats in the stagecoach bound for Fame,
while Smollett prefers that destined for Riches.
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