Goldsmith had known Voltaire in early life; he had been his admirer and his
biographer; he grieved to find him receiving such an insult from the
classic pencil of his friend. "It is unworthy of you," said he to Sir
Joshua, "to debase so high a genius as Voltaire before so mean a writer as
Beattie. Beattie and his book will be forgotten in ten years, while
Voltaire's fame will last forever. Take care it does not perpetuate this
picture to the shame of such a man as you." This noble and high-minded
rebuke is the only instance on record of any reproachful words between the
poet and the painter; and we are happy to find that it did not destroy the
harmony of their intercourse.
CHAPTER FORTY-THREE
TOIL WITHOUT HOPE--THE POET IN THE GREEN-ROOM--IN THE FLOWER GARDEN--AT
VAUXHALL--DISSIPATION WITHOUT GAYETY--CRADOCK IN TOWN--FRIENDLY SYMPATHY--A
PARTING SCENE--AN INVITATION TO PLEASURE
Thwarted in the plans and disappointed in the hopes which had recently
cheered and animated him, Goldsmith found the labor at his half-finished
tasks doubly irksome from the consciousness that the completion of them
could not relieve him from his pecuniary embarrassments. His impaired
health, also, rendered him less capable than formerly of sedentary
application, and continual perplexities disturbed the flow of thought
necessary for original composition.
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