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Various

"The Atlantic Monthly, Volume 03, No. 18, April, 1859"

"
The singers of longer ballads carry about with them sometimes a series
of rudely-executed illustrations of different incidents in the story,
painted in distemper and pasted on a large pasteboard frame, which is
hung against a wall or on a stand planted behind the singer in the
ground. These he pauses now and then in his song to explain to the
audience, and they are sure to draw a crowd.
As summer comes on and the evenings grow warm, begin the street
serenades,--sometimes like that of Lindoro in the opening of the
"Barbiere di Sevilla," but generally with only one voice, accompanied by
a guitar and a mandolin. These serenades are, for the most part, given
by a lover or friend to his _innamorata_, and the words are expressive
of the tender passion; but there are also _serenate di gelosia_, or
satirical serenades, when the most impertinent and stinging verses are
sung. Long before arriving, the serenaders may be heard marching up the
street to the thrum of their instruments.


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