Now ye may perceiue by these proportions before described, that there is a
band to be giuen euery verse in a staffe, so as none fall out alone or
vncoupled, and this band maketh that the staffe is sayd fast and not
loose: euen as ye see in buildings of stone or bricke the mason giueth a
band, that is a length to two breadths, & vpon necessitie diuers other
sorts of bands to hold in the worke fast and maintaine the
perpendicularitie of the wall: so in any staffe of seuen or eight or more
verses, the coupling of the moe meeters by rime or concord, is the faster
band: the fewer the looser band, and therefore in a _huiteine_ he that
putteth foure verses in one concord and foure in another concord, and in a
_dizaine_ fiue, sheweth him selfe more cunning, and also more copious in
his owne language. For he that can find two words of concord, can not find
foure or fiue or sixe, vnlesse he haue his owne language at will.
Sometimes also ye are driuen of neccesitie to close and make band more
then ye would, lest otherwise the staffe should fall asunder and seeme two
staues: and this is in a staffe of eight and ten verses: whereas without a
band in the middle, it would seeme two _quadriens_ or two _quintaines_,
which is an error that many makers slide away with. Yet _Chaucer_ and
others in the staffe of seuen and sixe do almost as much a misse, for they
shut vp the staffe with a _disticke_, concording with none other verse
that went before, and maketh but a loose rime, and yet bycause of the
double cadence in the last two verses serue the eare well inough.
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