'
[Footnote 3: Three vols., 1884, dedicated to M.C.R. In one volume
'revised,' 1895 (preface dated October 1895).]
[Footnote 4: Who but Gissing could describe a heroine as exhibiting in her
countenance 'habitual nourishment on good and plenteous food'?]
In his later years it was customary for him to inquire of a new author 'Has
he starved'? He need have been under no apprehension. There is still a
God's plenty of attics in Grub Street, tenanted by genuine artists,
idealists and poets, amply sufficient to justify the lamentable conclusion
of old Anthony a Wood in his life of George Peele. 'For so it is and always
hath been, that most poets die poor, and consequently obscurely, and a hard
matter it is to trace them to their graves.' Amid all these miseries,
Gissing upheld his ideal. During 1886-7 he began really to _write_ and the
first great advance is shown in _Isabel Clarendon_.[5] No book, perhaps,
that he ever wrote is so rich as this in autobiographical indices. In the
melancholy Kingcote we get more than a passing phase or a momentary glimpse
at one side of the young author. A long succession of Kingcote's traits are
obvious self-revelations. At the beginning he symbolically prefers the old
road with the crumbling sign-post, to the new.
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