After all this cometh Joan, a _publican's_ daughter, sitting on an
ale-house _bench_, and marking the _swingings_ of the _signboard_,
finding a poor man, his wife and six children, starved to death with
cold, and thence roused into a state of mind proper to receive visions
emblematical of equality,--which, what the devil Joan had to do with, I
don't know, or indeed with the French and American revolutions; though
that needs no pardon, it is executed so nobly. After all, if you
perceive no disproportion, all argument is vain; I do not so much object
to parts. Again, when you talk of building your fame on these lines in
preference to the "Religious Musings," I cannot help conceiving of you
and of the author of that as two different persons, and I think you a
very vain man.
I have been re-reading your letter. Much of it I _could_ dispute; but
with the latter part of it, in which you compare the two Joans with
respect to their predispositions for fanaticism, I _toto corde_
coincide; only I think that Southey's strength rather lies in the
description of the emotions of the Maid under the weight of inspiration.
These (I see no mighty difference between _her_ describing them or _you_
describing them),--these if you only equal, the previous admirers of his
poem, as is natural, will prefer his; if you surpass, prejudice will
scarcely allow it, and I scarce think you will surpass, though your
specimen at the conclusion (I am in earnest) I think very nigh equals
them.
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