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Various

"Volume 14, No. 380, July 11, 1829"

On the contrary, Heracleitus the Tarentine, and Aristocrates
the Theban, accompanied their harps with lyric songs. The performers on
wind instruments were divided on a similar, although it could not be on
the same principle. Dionysius from Heracleia, and Hyperbolus from
Cyzicum, sang to the flute, or some such instrument; while Timotheus,
Phrynichus, Scaphisius, Diophantus, and Evius, the Chalcidian, first
performed the Pythian overture, and then, accompanied by chorusses,
displayed the full power of wind instruments in masterly hands. There
was also a peculiar class called eulogists of Bacchus; these acquitted
themselves so well on this occasion, applying to Alexander those praises
which in their extemporaneous effusions had hitherto been confined to
the god, that they acquired the name of Eulogists of Alexander. Nor did
their reward fail them. The stage, of course, was not without its
representatives:--Thessalus, Athenodorus, Aristocritus, in
tragedy--Lycon, Phormion, and Ariston, in comedy--exerted their utmost
skill, and contended for the prize of superior excellence. Phasimelus,
the dancer was also present.
It is yet undecided whether the Persians admitted their matrons to their
public banquets and private parties;--but if we can believe the positive
testimony of Herodotus, such was the case: and the summons of Vashti to
the annual festival, and the admission of Haman to the queen's table,
are facts which support the affirmation of that historian.


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