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?«ns, Camille, 1835-1921

"Musical Memories"

As a result
his interpretation of the older works was inexact. But that did not
matter, for even if masterpieces are presented badly, there is always
something left. Besides, both the singer and his hearers had Faith. He
had a way of pronouncing "Gluck" which aroused expectation even before
one heard a note.
From time to time Delsarte gave a concert. He would come on the stage
and say that he had a bad throat, but that he would try to give
_Iphigenia's Dream_ or something of that sort. His courage would prove
to be greater than his strength and he would have to stop. He would
then fall back on old-time songs or La Fontaine's fables in which he
excelled. A skilfully studied mimicry, which seemed entirely natural,
underlay his reading. A red handkerchief, which he knew how to draw from
his pocket at just the proper moment, always excited applause.
One day he conceived the idea of giving one of Bossuet's sermons at his
concert. Religious authority was very powerful at the time and forbade
it. Yet there would have been no sacrilege, and I regretted keenly that
I could not hear this magnificent prose delivered so wonderfully. Now
that religious authority has lost its secular support, we see things in
an entirely different way.


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